968 OA3

A grand, sculptured beam runs through the home and frames the scenery. This structural element is the aesthetic key to making this project possible, inspired by nature, it draws the surroundings in and captures your attention.
Inspiration for this project was born directly from the surroundings, close to the sea. From this, we see the aesthetic approach, great flights that unfold towards the horizon and high, glass spaces seeking to defy gravity. Each of the elements speaks of the privilege of infinity.
The beam that envelopes the building is the resource that makes all of this possible and furthermore, one that makes the domestic areas appear on a familiar scale despite their grand dimensions. It also becomes a frame that, as Ortega and Gasset said, draws in the gaze to pour it into the painting, which is, in itself, infinity.

Blur the boundaries; play with closed and open spaces. This was the proposal to build a plot with an exceptional location and impressive views. The resulting project is a dialogue between the building and the landscape. On this basis, the house takes inside floors and walls typical of the exteriors of the area; That is why it is open and draws angles so that the view of the sea penetrates the house. The Mediterranean is integrated into the daily life of the family that inhabits this home.

The intervention is grounded in a deep respect for the original architecture of Josep Lluís Sert, understood not only as a built form but as a way of living. The renovation of the Blajot House (1978–1979) has been approached through a careful reading of its spatial logic, its relationship with the site, and its essential materiality.

The project restores the original values of the house—structural clarity, constructive restraint, and the dialogue between interior and exterior—while adapting them to contemporary requirements of comfort, efficiency, and use, without altering its identity or architectural language.

Designed for a new family, the extension does not compete with the original building but rather accompanies it. It is integrated through material continuity, proportion, and scale, reinterpreting Sert’s principles with a restrained and coherent language. More than an addition, the intervention seeks a balance between past and present, where the new is clearly recognisable without disrupting the unity of the whole.

The project understands rehabilitation as an exercise in precision and responsibility: updating without distorting, intervening without imposing, and extending the life of a work while keeping its underlying philosophy intact.