Close the house to the outside and create within it its own nature. Such was the challenge of this project, that translates this intention by contrasting sensations in an extreme way. From the outside, the architecture offers a compact appearance, almost monolithic in its volumetry; the interior, on the other hand, is developed with a clear fragmentary character, since the project is concatenating volumes that are sometimes full, sometimes empty. The latter – again the contrast – use wood to maintain the illusion of forcefulness and continuity, but offer a dematerialized reality with which successive landscapes are generated: patios, gardens, terraces. The result is a delicious permeable interior island composed of pieces that successively open to apparently empty spaces but occupied by careful atmospheres of light and shadow, sounds and aromas.
589 ED
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915
A grand, sculptured beam runs through the home and frames the scenery. This structural element is the aesthetic key to making this project possible, inspired by nature, it draws the surroundings in and captures your attention.
Inspiration for this project was born directly from the surroundings, close to the sea. From this, we see the aesthetic approach, great flights that unfold towards the horizon and high, glass spaces seeking to defy gravity. Each of the elements speaks of the privilege of infinity.
The beam that envelopes the building is the resource that makes all of this possible and furthermore, one that makes the domestic areas appear on a familiar scale despite their grand dimensions. It also becomes a frame that, as Ortega and Gasset said, draws in the gaze to pour it into the painting, which is, in itself, infinity.
903
The stone walls guide the path of light and gaze in this house. Their presence speaks volumes and gives the project a sense of organisation. And, despite their solidity, as they are located on a transversal axis, these walls give up all the prominence to the intangible: they allow the sun to enter the interior from the south and draw in your towards the north, which offers some fabulous views over the Collserola valley. Sun, pines and oaks. The Mediterranean environment becomes part of the house.
The relationship between the house and its surroundings is underlined by the materials and colours used. The stone, the earthy tones and the off-white make the construction blend in with the surroundings and take root with the mountain that houses it.
155 JLM
The triangular shape of the plot with sea views and the curved arrangement conditions this residential project. From the street, solid volumes are the protagonists that are lightened with the use of markedly vertical openings, open like fissures. Inwards, the house opens generously to enjoy the Mediterranean and the common spaces. In them, the light is filtered with adjustable wooden slats and it is this light that becomes the key feature.