Blur the boundaries; play with closed and open spaces. This was the proposal to build a plot with an exceptional location and impressive views. The resulting project is a dialogue between the building and the landscape. On this basis, the house takes inside floors and walls typical of the exteriors of the area; That is why it is open and draws angles so that the view of the sea penetrates the house. The Mediterranean is integrated into the daily life of the family that inhabits this home.
730 RG















Featured projects
901
The horizon is everything in this plot. It is a place dominated by horizontal lines with an extraordinary view over the Mediterranean. Therefore, the project developed for this location seeks the magic of weightlessness. To achieve this, the design contemplates two volumes superimposed and displaced from each other that leave the ground floor open and turn the upper area into a floating construction that looks into infinity and closes on the north facade. The use of glass, cantilevers and colors complete this poetic play of light and shadow, closed and open, matter and emptiness.
927 SR5
The intervention is grounded in a deep respect for the original architecture of Josep Lluís Sert, understood not only as a built form but as a way of living. The renovation of the Blajot House (1978–1979) has been approached through a careful reading of its spatial logic, its relationship with the site, and its essential materiality.
The project restores the original values of the house—structural clarity, constructive restraint, and the dialogue between interior and exterior—while adapting them to contemporary requirements of comfort, efficiency, and use, without altering its identity or architectural language.
Designed for a new family, the extension does not compete with the original building but rather accompanies it. It is integrated through material continuity, proportion, and scale, reinterpreting Sert’s principles with a restrained and coherent language. More than an addition, the intervention seeks a balance between past and present, where the new is clearly recognisable without disrupting the unity of the whole.
The project understands rehabilitation as an exercise in precision and responsibility: updating without distorting, intervening without imposing, and extending the life of a work while keeping its underlying philosophy intact.
908
Three vibrant and harmonious volumes that flow into each other; a game of composition generates different perspectives in the garden; materials that set the colour palette of stone and white; and a layout staggered over different levels to fluently and efficiently communicate the diverse uses. That is how we created this project for a musician who wanted an inspiring home complete with recording studio. Pure rhythm.
The recording studio is situated in one of the blocks, an impressive six-metre high cube that only opens onto the garden. On the opposite side is the more intimate area, and, connecting the two, we have the central block which comprises the thoroughfare and common area.
On an acoustic level, the studio has been designed under the Non-Environment philosophy in which an average reverberation time of 0.13 seconds has been obtained, balanced over the entire frequency range, with which a neutral listening is achieved thanks to the combination of the speakers with the room.
The recording room was built with the aim of having controlled acoustics but with a natural brightness achieved thanks to the first reflections generated by the slot slats made of oak wood.
The large windows and the viewfinder overlooking the control room make all the rooms very bright, creating a pleasant atmosphere for working inside.