897 SIC

Close the house to the outside and create within it its own nature. Such was the challenge of this project, that translates this intention by contrasting sensations in an extreme way. From the outside, the architecture offers a compact appearance, almost monolithic in its volumetry; the interior, on the other hand, is developed with a clear fragmentary character, since the project is concatenating volumes that are sometimes full, sometimes empty. The latter – again the contrast – use wood to maintain the illusion of forcefulness and continuity, but offer a dematerialized reality with which successive landscapes are generated: patios, gardens, terraces. The result is a delicious permeable interior island composed of pieces that successively open to apparently empty spaces but occupied by careful atmospheres of light and shadow, sounds and aromas.

The space of this house is organised from two volumes that rest one on the other. From the outside, both of them dialogue through the materials that surround them. Formally, these same volumes, with their arrangement, articulate the rooms. In addition, they create a large south-facing porch that invites you to enjoy family living in the open air and make several terraces a reality to enjoy moments of total privacy.

Three vibrant and harmonious volumes that flow into each other; a game of composition generates different perspectives in the garden; materials that set the colour palette of stone and white; and a layout staggered over different levels to fluently and efficiently communicate the diverse uses. That is how we created this project for a musician who wanted an inspiring home complete with recording studio. Pure rhythm.
The recording studio is situated in one of the blocks, an impressive six-metre high cube that only opens onto the garden. On the opposite side is the more intimate area, and, connecting the two, we have the central block which comprises the thoroughfare and common area.