Creating sculptural architecture that includes the warmth of a home is a challenge. And this project, with its large dimensions, its ambition and its location dominating all of Barcelona, ran the risk of becoming a showhome worthy of a photo shoot, but not to live in. To give it visual rhythm, everything superfluous was eliminated and the house was divided into three volumes. And to provide the necessary balance, all the unique elements, including the staircase, were accumulated in a central module, wrapped in copper. In this way, more subtlety is achieved in the rest of the building, using austere masonry walls on the outside and warm materials on the inside.
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910
From the street, we see a subtle and elegant curve that makes an impact. Concrete without openings. Complete privacy. It’s a curtain behind which all the magic of this project is hidden, located in one of the most beautiful parts of Catalonia.
The space is privileged. The same house that shies away from the street, opens up inside to light and scenery, cascading down the hillside and making an interior space that speaks its own language: concrete contrasted with black and oak wood, which is how it connects intimately with its surroundings.
In the garden, dry stone and lush vegetation take centre stage, reinforcing the relationship between the hillside and the home.

589 ED
Close the house to the outside and create within it its own nature. Such was the challenge of this project, that translates this intention by contrasting sensations in an extreme way. From the outside, the architecture offers a compact appearance, almost monolithic in its volumetry; the interior, on the other hand, is developed with a clear fragmentary character, since the project is concatenating volumes that are sometimes full, sometimes empty. The latter – again the contrast – use wood to maintain the illusion of forcefulness and continuity, but offer a dematerialized reality with which successive landscapes are generated: patios, gardens, terraces. The result is a delicious permeable interior island composed of pieces that successively open to apparently empty spaces but occupied by careful atmospheres of light and shadow, sounds and aromas.

915
A grand, sculptured beam runs through the home and frames the scenery. This structural element is the aesthetic key to making this project possible, inspired by nature, it draws the surroundings in and captures your attention.
Inspiration for this project was born directly from the surroundings, close to the sea. From this, we see the aesthetic approach, great flights that unfold towards the horizon and high, glass spaces seeking to defy gravity. Each of the elements speaks of the privilege of infinity.
The beam that envelopes the building is the resource that makes all of this possible and furthermore, one that makes the domestic areas appear on a familiar scale despite their grand dimensions. It also becomes a frame that, as Ortega and Gasset said, draws in the gaze to pour it into the painting, which is, in itself, infinity.