The triangular shape of the plot with sea views and the curved arrangement conditions this residential project. From the street, solid volumes are the protagonists that are lightened with the use of markedly vertical openings, open like fissures. Inwards, the house opens generously to enjoy the Mediterranean and the common spaces. In them, the light is filtered with adjustable wooden slats and it is this light that becomes the key feature.
155 JLM
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817 OE
The space of this house is organised from two volumes that rest one on the other. From the outside, both of them dialogue through the materials that surround them. Formally, these same volumes, with their arrangement, articulate the rooms. In addition, they create a large south-facing porch that invites you to enjoy family living in the open air and make several terraces a reality to enjoy moments of total privacy.
903
The stone walls guide the path of light and gaze in this house. Their presence speaks volumes and gives the project a sense of organisation. And, despite their solidity, as they are located on a transversal axis, these walls give up all the prominence to the intangible: they allow the sun to enter the interior from the south and draw in your towards the north, which offers some fabulous views over the Collserola valley. Sun, pines and oaks. The Mediterranean environment becomes part of the house.
The relationship between the house and its surroundings is underlined by the materials and colours used. The stone, the earthy tones and the off-white make the construction blend in with the surroundings and take root with the mountain that houses it.
901
The horizon is everything in this plot. It is a place dominated by horizontal lines with an extraordinary view over the Mediterranean. Therefore, the project developed for this location seeks the magic of weightlessness. To achieve this, the design contemplates two volumes superimposed and displaced from each other that leave the ground floor open and turn the upper area into a floating construction that looks into infinity and closes on the north facade. The use of glass, cantilevers and colors complete this poetic play of light and shadow, closed and open, matter and emptiness.