The stone walls guide the path of light and gaze in this house. Their presence speaks volumes and gives the project a sense of organisation. And, despite their solidity, as they are located on a transversal axis, these walls give up all the prominence to the intangible: they allow the sun to enter the interior from the south and draw in your towards the north, which offers some fabulous views over the Collserola valley. Sun, pines and oaks. The Mediterranean environment becomes part of the house.
The relationship between the house and its surroundings is underlined by the materials and colours used. The stone, the earthy tones and the off-white make the construction blend in with the surroundings and take root with the mountain that houses it.
903
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910
From the street, we see a subtle and elegant curve that makes an impact. Concrete without openings. Complete privacy. It’s a curtain behind which all the magic of this project is hidden, located in one of the most beautiful parts of Catalonia.
The space is privileged. The same house that shies away from the street, opens up inside to light and scenery, cascading down the hillside and making an interior space that speaks its own language: concrete contrasted with black and oak wood, which is how it connects intimately with its surroundings.
In the garden, dry stone and lush vegetation take centre stage, reinforcing the relationship between the hillside and the home.
730 RG
Blur the boundaries; play with closed and open spaces. This was the proposal to build a plot with an exceptional location and impressive views. The resulting project is a dialogue between the building and the landscape. On this basis, the house takes inside floors and walls typical of the exteriors of the area; That is why it is open and draws angles so that the view of the sea penetrates the house. The Mediterranean is integrated into the daily life of the family that inhabits this home.
589 ED
Close the house to the outside and create within it its own nature. Such was the challenge of this project, that translates this intention by contrasting sensations in an extreme way. From the outside, the architecture offers a compact appearance, almost monolithic in its volumetry; the interior, on the other hand, is developed with a clear fragmentary character, since the project is concatenating volumes that are sometimes full, sometimes empty. The latter – again the contrast – use wood to maintain the illusion of forcefulness and continuity, but offer a dematerialized reality with which successive landscapes are generated: patios, gardens, terraces. The result is a delicious permeable interior island composed of pieces that successively open to apparently empty spaces but occupied by careful atmospheres of light and shadow, sounds and aromas.